Bounty
Sargent's Daughters
Date: January 28 - February 28, 2026
Location:
370 Broadway
New York, NY 10013
T: 212 233 0846
info@sargentsdaughters.com
Gallery hours: Tuesday – Saturday, 10am-6pm
Curated by Sadaf Padder
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Join us for a curator-led conversation ft. artists:
Amanda Phingbodhipakkiya, Nyugen E. Smith and Baseera Khan
Saturday, February 21 at 3 PM ET
Followed by a live performance by violinist Natie Barret-Mas incorporating soundscapes recorded from the forests of Haiti.
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BOUNTY explores the evolving relationship between people and natural resources through cycles of extraction and regeneration. Through practices spanning geographies and generations, BOUNTY bears witness to an eco-human continuum shaped by modes of engagement that range from stewardship to exhaustion.
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Re|Sounding
Maine Maritime Museum
Date: November 15, 2025 - October 1, 2027
Location:
243 Washington St. Bath, ME 04530
Monday – Sunday
9:30 am – 5:00 pm
info@maritimeme.org
(207) 443-1316
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Re|Sounding stems from the maritime process of “sounding,” or measuring depth beneath a vessel as a form of navigation. With this exhibit, Maine Maritime Museum is dedicated to re-measuring our institutional understanding of Maine’s maritime history by centering Indigenous and Black perspectives.​​
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Para além da escravidão
Date: November 13, 2025 - March 1, 2026
Location:
Praça Marechal Âncora, S/N
Centro | Rio de Janeiro, RJ
faleconosco.mhn@museus.gov.br
mhn.agendamento@museus.gov.br
Museum hours: Wednesday to Sunday | 10am to 5pm
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World-building and Futurity through Collaboration in Caribbean Diasporic Art Practices: A Conversation (Nicole Esmer and Nyugen E. Smith)
Conversations is a series of critical dialogues between artists, designers, historians, critics, and curators on timely issues in the field. Art Journal Open
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Podcast:
International Arrivals: Ep9 Oh, Sing Me a Shanty with Nyugen E. Smith
International Arrivals
International Arrivals speaks with artist Nyugen E. Smith (Caribbean/USA) about his use of found objects and maps, along with his interest in Yoruba practices and his first memory of snow.
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